There’s probably an awful lot to be written about colour photography and its relationship to what we consider the Modern or perhaps current world. There’s also a fair amount to say about monochrome photography of supposedly Modern buildings, about how this is used to denote timelessness and how it has influenced the colour pallettes of architects in the 20th century. I’ve not got time right now to explore any of that. These early colour photographs of Paris in the early 20th century, however, are a valuable antidote to the too-easily accepted dichotomy between colour=modern/monochrome=old. Here we see a Paris that is remarkably, incredibly, polychromatically similar to the Paris we know and – more importantly – represent today.